But if we were trying to make the majority of TV drama shows from the 1990s to the advent of The Sopranos, AI could hardly do worse." Nelson says the scripts are usually "a little cliche," but Clancy and Ross see more potential depending on the quality we're looking for.Ĭlancy: “It depends on the genre. However, the experts vary on how useful they think those scripts are. THE DETAILS: AI is great at understanding structure and patterns and can quickly whip up what looks and sounds like a script. She now focuses on educational programming (particularly about AI), and also has a background in training the brain to overcome fears and trauma - a task AI has never had to take on.Ĭhad Nelson: Writer and director of " Critterz," the first animated short film using OpenAI’s DALL-E, and the face behind the Instagram account Robert Ross: Computer science professor at Technological University Dublin and an investigator at the ADAPT Centre (a world-leading AI-Driven Digital Content Technology research center) who has been working with conversational AI systems for the last 25 years, including completing a Ph.D. Olympia LePoint: Rocket scientist and the author of STEM education book series Answers Unleashed, with a master's degree in applied mathematics who formerly worked at NASA, helping to develop rockets for 28 space shuttle missions. Clancy “got into'' AI when he noticed that his students weren’t approaching AI as a tool, with the understanding that they needed to evaluate the inputs and outputs of the technology critically. Martin Clancy: AI researcher at Trinity College Dublin, Ireland and chair of the IEEE (Institute of Electrical and Electronics Engineers) Global AI Ethics Arts Committee. First, we're exploring AI's impact on screenwriting, for good and bad.ĭr. So what are we close to, and what should the concerns be when it comes to AI? The Messenger talked to several experts and did some AI generating of our own to get a better idea of what's happening, what's not happening, and what the future may hold for the most impacted parts of the entertainment industry. Luckily, we are nowhere close to a world where AI is our sole entertainer. It can do a lot, but it can't do everything - or rather, it can't do everything believably. It can even turn a casual photo into a professional headshot or create a new video from old footage of a deceased person. Generative AI can create a cover letter for a job, write an email for a friend, or suggest headlines for an article (like this one). They generate text, images, audio, and other media from prompts, based on existing media. You've probably heard of the programs that use it, like ChatGPT, Dall-E, Lensa and Replika. While AI isn't a new concept, generative AI is relatively new. And just in time, too - The Terminator's bleak future in which a hostile AI overtakes the world was set in 2029. As a result, the emerging tech has become one of the top concerns as contract negotiations continue. So far, the Alliance of Motion Picture and Television Producers, which represents studios at the bargaining table, has only agreed to regular discussions about AI and has not yet committed to regulating its use. Members of multiple entertainment guilds are worried that studios might consider using AI instead of paying writers, actors and other creatives. In case you haven't heard, the robots are taking over. As the writers' strike barrels toward its third month and the actors' guild prepares to possibly join them on the picket lines, the hot topic of the moment - beyond paying people fairly for their work - is the looming potential of AI in Hollywood.
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